Dance is generally considered as an artistic component of human art and culture. Each dance genre is unique and is distinguished by specific body movements. To accentuate the form and movements of each dance, wearing the right dancing clothes and pair of dance shoes is essential.
Dancewear for Ballet
Ballet is a sophisticated form of dance that is generally performed for theater audiences. Therefore, all ballet movements require greater poise and elegance than some of the modern dances. Every jete, pirouette and arabesque must be properly executed to ensure a graceful and natural performance. However, there are certain conditions that could influence the way you perform your dance moves and one of these is the quality of ballet dance apparel that you wear. So in order to make sure that all your movements are emphasized and executed well, it is of prime importance that you invest in the right Capezio dance wear that matches your chosen dance genre.
If you are into ballet, you must understand that every movement should be done with such finesse that is a trademark of the genre. Every movement should be done surely to a state of perfect fluidity. Wrap skirts and tutus are designed to draw attention to your leg movement without interrupting your dance. Meanwhile, ballet shoes are designed to make your legs look longer and at the same time, support your toes as you perform your jete, arabesque and pirouette.
Capezio Dancewear for Modern Dance
Modern dancing is characterized by your own interpretation of a dance. It is not limited to a set structure but has a rather strict dress code. If you check the list of Capezio dancing clothes for modern dance, you would notice that they are usually simple and understated. But like in ballet, you need to choose Capezio dance clothing that is form-fitting in order to dance the modern genre well. For females dancing a modern dance, you may wear a dance dress or a camisole leotard that has a light skirt attached to it. On the other hand, male modern dancers usually wear dance leotards with or without tops.
When dancing the modern genre, dancers don’t usually wear any dance shoes. The absence of dance shoes and the use of simple attire help bring out your body’s innate flexibility.
Tap Dancing and Capezio Dancing Attire
When tap dancing, the parts of the body that get pounded and used are the feet that is why the heaviest dance costume accessories are the shoes. To attract the attention, you must choose tap dance costumes that are bold and flamboyant. Your tap dancing shoes must be really sturdy since they are the focal point of your performance. With that, it would be best to choose tap dance shoes that are simple so that they will not clash with the rest of your dancing clothes even if there is a need to change your costumes every so often in a single night of performance.
There are many dance genres that are getting worldwide attention. Those into arts are even making their own interpretations of these genres, thereby making sub-classifications of these dances. What is important is that you buy Capezio dance wear that fits the genre that you have chosen. In case you haven’t made up your mind on which genre to practice and eventually perfect, you will never go wrong with a pair of dance leotards and some Capezio dance tights since they are parts of the basic dance costumes across all known dance styles.
For a great variety of Capezio dancewear to suit each dancing style, visit: www.alycedancewear.com
From March 13 to 18, the Martha Graham Dance Company will hold a new performance at The Joyce Theater in New York City. Ed Graham’s work on the interstices of the human psyche will be featured in the company’s new addition to their successful series of dance performances incorporating narration and other media. The company will present two programs—along with a Family matinee presentation—on March 17 at 2:00 pm. Audience will again be treated to the Martha Graham’s trailblazing work in modern dance and modern dance performance wear.
Yvonne Rainer and Lar Lubovitch will debut new works on March 13 and 15. The two shows will kick off with a film montage showing excerpts of Martha Graham performing her psychology-laded works intercut with scenes from prominent psychological films of Graham’s time. America’s fascination with psychology and how popular culture of the period has recorded the phenomenon is captured on the montage, which was created by one of Graham’s former dancers and an acclaimed video artist, Peter Sparling.
The first program starts with the montage, followed by Mary Wigman’s Witch Dance. Mary Wigman, a German choreographer, was a contemporary of Graham’s. Mary Anne Newhall will slip into Wigman’s dance performance attire and recreate Witch Dance. Every Soul is a Circus follows, which is a first combination of the Lamentation Variations, and then Martha Graham’s opus adapted from the Greek tragedy of Jocasta and Oedipus, Night Journey completes Program A.
Sparling’s film will also open Program B, followed by Lori May’s solo performance from Ana Sokolow’s Lyric Suite. Sokolow was an important 20th century choreographer who found her footing in Graham’s dance company. After Lori May’s solo, Deaths and Entrances (1944), the second combination of the Lamentation Variations and Chronicle (1936).
In celebration of Martha Graham’s legacy and art as well as the company’s yearly staging of new works, the world-class choreographers will create a variation of Lamentation in their best modern dance apparel, an offering to the Company. The Martha Graham Dance Company created the Lamentation Variations in 2007 as a tribute to the victims of the September 11 attacks in New York City.
Other renowned choreographers joining Rainer and Lubovitch are Aszure Barton, Richard Move, and Larry Keigwin, who made their variations in 2007. Bulareyaun Pagarlava will also be part of the project, having done a variation in 2009. The Joyce will see the three variations in a different combination on every program. Rainer’s Variation is a duet performance called “Lamentable.” The Company will receive Lubovitch’s variations in February this year.
The Martha Graham Dance Company has been in the forefront of finding new means of access for the audience, concocting experiments to bring modern dance to the public. The Inner Landscape is a brand new offering of the same kind, a novel approach to dance programming. The company’s successful “Political Dance Project” in 2010 saw modern dance anchored by the theme of political activism. The multimedia collaborations, dance performances and educational activities seek to unravel the psychological dimensions of the art of dance.